The emphasis with the Soundcraft EPM
is very firmly on quality build and audio performance, with an easy to
understand control surface uncluttered by unnecessary facilities, and
Soundcraft have brought new technologies and ideas to this very
cost-effective range.
Recommmended for:
Houses of Worship
Music Venues
Musicians & Bands
Theatres
Houses of Worship
Music Venues
Musicians & Bands
TheatresThe emphasis with the Soundcraft EPM
is very firmly on quality build and audio performance, with an easy to
understand control surface uncluttered by unnecessary facilities, and
Soundcraft have brought new technologies and ideas to this very
cost-effective range. Surface mount technology is used throughout, using
close-tolerance components for high accuracy and repeatable settings
for EQ and gain controls. The highly-transparent GB30 Mic amp (designed
by Graham Blyth for the company’s 30th anniversary, and also used on the
larger LX7ii and GB Series consoles) features high-resolution
adjustment over a wide gain range of 55dB, and provides a stunning +22dB
headroom through the console. True professional 48-volt phantom power
caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.